BOOK 3 – TABLE OF CONTENTS
PAGE NUMBER / CONTENT
001) Book 3 – Table of Contents
003) Welcome Page
004) Disclaimer
005) Enharmonic Equivalence (click to view)
006) ’Must Hear’ Sax Players
007) ’Must Hear’ Recordings
008) THE BIG 5 – Fundamentals
009) Fundamentals Are Fundamental
010) How To Practice
011) Strengths & Weaknesses / Short & Long Term Goals
012) Saxophone Equipment Tips
013) (F)* LISTENING – Thoughts
014) (F) LISTENING – Questions
(F)* denotes a fundamental
015) APPLYING THE INFO (click to view)
– (click for video)
016) INSIDE OF THE OUTSIDE – tune analysis
017) (C)** THE INSIDE OF THE OUTSIDE – lead sheet
(C)** denotes a concert pitch chart
INTERVALLIC RELATIONSHIPS
020) Chromatic & Rotating minor 2nds (click for video)
021) Chromatic Major 2nds
022) Chromatic & Rotating Major 2nds
023) Chromatic & Rotating minor 3rds
024) Chromatic minor 3rds
025) Chromatic & Rotating Major 3rds
026) Chromatic Major 3rds
027) Chromatic & Rotating Perfect 4ths
028) Chromatic Perfect 4ths
029) Chromatic & Rotating Tri-Tones
030) Chromatic Tri-Tones
031) Chromatic & Rotating Perfect 5ths
032) Chromatic Perfect 5ths
033) Chromatic & Rotating Augmented 5ths
034) Chromatic Augmented 5ths
035) Chromatic & Rotating Major 6ths
036) Chromatic Major 6ths
037) Chromatic & Rotating minor 7ths
038) Chromatic minor 7ths
039) Chromatic & Rotating Major 7ths
040) Chromatic Major 7ths
041) Tri-Tone combinations
044) Chromatic 4ths to minor 3rds descending
045) Major 6th, minor 3rd, Perfect 4th
046) Perfect 4th, minor 2nd, Perfect 5th
047) Perfect 5th, minor 2nd, Perfect 4th
048) Perfect 4th to minor 3rd augmented root movement
049) Perfect 4th to Major 3rd
050) 3/4/1 Major Tri-Tone Substitutions
051) 3/4/1 Major Descending Chromatic
052) 3/4/1 Major Chromatic Half Steps
053) (F) TONE/DYNAMICS Thoughts
054) (F) TONE/DYNAMICS Questions
055) Thoughts On Improvisation
056) A JOE JONES – tune analysis
058) (C) A JOE JONES – lead sheet (click for video)
059) b7 1 #4 3 Pattern 1
060) b7 1 #4 3 Pattern 2
063) 4ths – Whole Tone Roots
064) 4ths – Diminished Roots
065) 4ths – Approached Chromatically/descending
066) 4ths – Approached Chromatically diminished Roots
067) 4ths & minor 3rds – roots in 4ths
068) 4ths & minor 3rds diminished root movement
069) 4ths & minor 3rds / Chromatic
070) (F) ARTICULATION Thoughts
071) (F) ARTICULATION Questions
072) UNCLE SALTY – tune analysis
073) (C) UNCLE SALTY – lead sheet
075) Chromatic major Pentatonics – descending
076) Chromatic major Pentatonics – ascending
077) Chromatic minor Pentatonics descending minor b3
078) Chromatic minor Pentatonics ascending minor b3
079) Chromatic minor Pentatonics descending b3/b6
080) Chromatic minor Pentatonics ascending b3/b6
081) Chromatic minor Pentatonics descending b2/b3/b6
082) Chromatic minor Pentatonics ascending b2/b3/b6
083) (F) RHYTHM/TIME Thoughts
084) (F) RHYTHM/TIME Questions
085) The Transparency Of Sound
086) Taking Your Improvisation To The Next Level in 10 Steps
087) Major b9 (b2) Triads – chromatic roots
089) Major b9 (b2) Triads (5/8)
090) Major 7 b9 (b2) Arpeggios – diminished roots (5/8 & 6/8 alternating)
093) Major 6th, Whole Step, Tri-Tone
094) Major 6th, ½ step, Perfect 5th
095) (F) HARMONY Thoughts (click to view)
096) (F) HARMONY Questions
097) Lydian Dominant Scales (Dominant 7 #11)
099) Dominant 7th Chords – fully altered
101) Dominant Chords – fully altered/scale form
103) Dominant 7th & Dim 7th partially inverted
105) Close Major Chromatic Arpeggios in inversion
107) Same Root/Different 7th Chord
119) Tone Rows
120) Various Elements Of Improvisation
ii/V/I Patterns | WHOLE TONE Patterns | DIMINISHED Patterns
122) ii-V7-I Arpeggios (Major)
123) ii-V7-I Pattern 1
125) 1 2 3 5 Pattern (ii-V7-I major)
126) ii-V7-I Pattern 2
127) Whole Tone Arpeggios
128) Whole Tone Arpeggios – ascending
129) Whole Tones in 3rds – ascending
130) Whole Tone in Tri-Tones – ascending
131) Diminished Pattern
132) Thoughts…
133) Influences
135) JC Answers Fundamental Questions
143) Thanks
All Material Associated With THE SAXOPHONE BOOK © 2016 Jeff Coffin
contact: Alex Mathews | [email protected]